The big hype on Netflix the past week or so has been the Spanish horror-movie ‘Veronica’ is loosely (and I stress this) based on true events. In fact, we wrote an article about the actual story that inspired the movie earlier this week.
As long as you go into this movie knowing that maybe 5% of the story is actually based on these events, you’ll be able to watch it with a much clearer perspective.
Now, there have been reports that people couldn’t watch the entire movie because they were too scared.
Grant it, the movie has some creepy parts and doesn’t rely on the easy and over-used (and lazy) modern jump-scare tactic that horror movies rely on, so, it’s good in terms of relying on natural creepiness to scare you.
It also faces a tough challenge because of subtitles.
Face it, not a lot of people are drawn to reading subtitles in any movie, let alone a horror flick.
The film’s overall delivery rests on the shoulders of Sandra Escacena who plays Veronica and she does an excellent job of communicating fear, distress, stress and worry. Add to it that her performance is so strong that even subtitles don’t diminish her efforts.
Veronica is determined to communicate with her dead father, whom I wish they did a better back story on to show some sort of emotional bond. One flaw I saw with the movie was that there really wasn’t any significant fallout from her father’s death.
The kids seemed fine, the mother seemed ok and Veronica, who was the most determined to talk with him, seemed rather “ho-hum” about him. In fact, it seemed that everyone was rather emotionally detached from the father.
I would say the most tragic part of this story was how much responsibility Veronica had in raising her siblings while her mother worked constantly. It cost Veronica friendships and what should be her best teenage years.
Consuelo Trujillo was creepy as ‘Mother Death’ but I left the movie feeling like her role could have been more prominent and that Plaza left a character with amazing potential, rather basic and unimportant.
‘Mother Death’ should have been a lot more than what she was and could have left a lasting impression. Instead, I only felt sorry for the actress who had to chain smoke in virtually every scene she was in. It hurt my throat and lungs just watching her.
All in all the story is sound and ties the ending scene (which is the film’s opening scene) perfectly at the end of the movie.
A little anti-climactic at the end, which is weird because it could have been much more, much better, but it won’t leave you feeling like you wasted your time.
Personally, I can’t agree with the high ratings it’s receiving on ‘Rotten Tomatoes’ and while the movie had it’s moments, I can’t wrap my head around as to why anyone would be too scared to watch the whole thing.
Bottom line, it’s worth the time investment and a good showing from Netflix’s horror section, which I am hoping opens the doors for more entries such as this.
Fright Nerd Score 77 frights SummaryPersonally, I can't agree with the high ratings it's receiving on 'Rotten Tomatoes' and while the movie had it's moments, I can't wrap my head around as to why anyone would be too scared to watch the whole thing. Fright Nerd Score77
Blumhouse Drops Trailer for ‘Ma’
Blumhouse has dropped a trailer for Universal Pictures’ ‘Ma’ starring Oscar winner Octavia Spencer.
An Australian trailer was released that gave fans a look at the strange film set to arrive on May 31st.
According to the synopsis:
“Everybody’s welcome at Ma’s. But good luck getting home safe. Oscar® winner Octavia Spencer stars as Sue Ann, a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town (Diana Silvers, Glass), to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own.
She offers the kids the chance to avoid drinking and driving by hanging out in the basement of her home. But there are some house rules: One of the kids has to stay sober. Don’t curse. Never go upstairs. And call her “Ma.” But as Ma’s hospitality starts to curdle into obsession, what began as a teenage dream turns into a terrorizing nightmare, and Ma’s place goes from the best place in town to the worst place on earth.
Ma also stars Juliette Lewis (August: Osage County) as Maggie’s mom, Luke Evans (Beauty and the Beast) as a local dad, Missi Pyle (Gone Girl) as his girlfriend, and McKaley Miller (TV’s Hart of Dixie), Corey Fogelmanis (TV’s Girl Meets World), Gianni Paolo (TV’s Power) and Dante Brown (Lethal Weapon TV series) as Maggie’s friends.
From Tate Taylor, the acclaimed director of The Help and Get On Up, and blockbuster producer Jason Blum (Get Out, Halloween, The Purge series) comes a thriller anchored by a daring and unexpected performance from Spencer, one of the most powerful actors of her generation.
Ma is written by Scotty Landes (Comedy Central’s Workaholics) and Taylor, is produced by Blum for his Blumhouse Productions, by Taylor, and by John Norris (executive producer, Get On Up), and is executive produced by Spencer, Couper Samuelson, Jeanette Volturno, and Robin Fisichella.”
Vertical Entertainment Drops Trailer for ‘Isabelle’
Starring Amanda Crew and Adam Brody, the film’s synopsis states:
“After moving into the perfect New England neighborhood, an all-American couple’s dream of starting a family shatter as they descend into the depths of paranoia and must struggle to survive an evil spirit that wants nothing more than their own lives.”
The following trailer is courtesy of Bloody Disgusting:
‘Hell Fest’ Writer Akela Cooper Writing Sequel to ‘The Nun’
Despite all of the hype and build, the film just fell short.
However, due to it’s box office success, a sequel is in the works, and a new writer is at the helm.
Producer Peter Safran , who will return alongside James Wan to produce the sequel, teased something interesting in regards to a sequel.
“We have a really fun storyline for that teed up, so I think that’s the next one that will be written” Safran said, according to Entertainment Weekly.
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