In ‘Insidious: The Last Key’ the story again focuses on parapsychologist Elise Rainier, who receives a disturbing phone call from a man who claims that his house is haunted. The plot twist comes early as his address, 413 Apple Tree Lane in Five Keys, N.M, is where Elise grew up and honed her abilities under the watch of her physically abusive father.
Rainer brings her dynamic duo of paranormal investigators to go back and confront a demon that she accidentally set free when she was a kid.
The story has plenty of content to it, and the setup of the backstory is pretty thorough without being overdone, but it fails to capitalize with the normal level of scares that we are used to with a traditional Insidious movies.
There are a lot of layers to the long-standing hauntings of the house and, apparently (SPOILER warning), the demon has been forcing the men living in the home to carry out a spree of murders, leaving bodies shoved into a briefcase and hidden deep in the basement storm drains.
By the way, the basement in the home is quite epic, it looks more like the lair of the Teenage Mutant Ninja Turtles than any type of basement I’ve ever been in.
Back to the film, the story rolls on, and rolls on, and rolls on, and even drops in a little family reunion along the way. While it didn’t tie things together, it seemed a bit too layered and seemed to lack the consistent scares that horror fans may be expecting.
I couldn’t get into the movie, but I didn’t find it terrible. I’m not upset that I watched it, but I’m also not raising my hand to watch it again.
I suppose it’s a good option for any fan of Insidious and if there is absolutely nothing else better to watch on TV.
Netflix has been on a roll with their release of original content, and the latest thriller rolled out to the masses of subscribers is Ciarán Foy’s ‘Eli’.
Starring Charlie Shotwell, Lili Taylor, Kelly Reilly and Sadie Sink, the film tells the story of; “A boy becomes trapped in a haunted house while undergoing treatment for a rare disease.”
Eli is stricken with a rare disease which makes him pretty much allergic toi everything. As his parents struggle to find a cure, they come across a method used by Dr. Isabella Horn that promises a cure, the only thing is, Eli will be subjected to unusual, and sometimes brutal, procedures during his stay at the facility, an old mansion.
As Eli’s treatment progresses, so do his visions of the evil dead that haunt the house.
Unfortunately, a proper setup that seems pretty organized falls apart swiftly, as the movie completely unravels due to poor organization and explanation of anything important.
Boasting good performances and what seems like a good base for an intriguing horror tale, Eli falls victim to itself. While the visuals of the ghosts are certainly worth checking out, you finish the film asking what the heck anything meant, rather than ready to suggest it to a friend.
The film relied too heavily on imagery, and a strong cast (which Charlie Shotwell stood out), deviating from any sensible approach to story telling even at it’s most basic form.
REVIEW: In the Tall Grass
Stephen King has been killing it (no pun intended) when it comes to the movie adaptations of his classic novels, and the latest story to be turned into a film is ‘In the Tall Grass’ which hit Netflix recently.
Vincenzo Natali is behind the camera for the adaptation of Stephen King and Joe Hill’s novella, and it came with a lot of hype.
Starring Patrick Wilson, Laysla De Oliveira, Harrison Gilbertson, Avery Whitted, and Rachel Wilson, the film tells the story of: “After hearing a boy’s cry for help, a pregnant woman and her brother wade into a vast field of grass, only to discover there may be no way out.”
The film starts off strong, with a brother (Cal) and sister (Becky, who is pregnant) hearing the panicked cries of a young boy who seems lost in a field of very tall grass. After some debate, they both decide to venture in and try to locate the lost boy (Tobin).
Tobin, and something else, turn the two siblings in circles, disorientating them and separating them. Despite their call-outs, communication, and attempts to reconnect, they cannot find one another.
Along the way, Tobin appears, near his dead dog Freddy, but Becky meets a sinister fate….or does she?
This is where the film rolls off the cliff from interesting and engaging, to confusing and messy.
As the journey continues, we find that Becky, Cal, and Tobin aren’t alone in the grass, as Tobin’s parents Ross and Natalie, along with Becky’s boyfriend Travis, also find themselves seemingly trapped.
Not to mention, there is a mystic rock in the center of the field, one with ritualistic markings and some sort of power that is activated when touched. But, don’t touch it…I guess?
While waiting for the scares and tense moments, you slowly come to the disappointing realization that you’re just watching a bunch of people, dead and alive (depending), run around in the grass in what seems like a time warp that they cannot escape? But maybe they can?
It’s hard to tell. But this film does do one thing: proves that not all of Stephen King’s work should be made into films, as this one is simply anti-climactic and rather dull.
But, hey, give it a go. Maybe you’ll find your way to some sort of meaning or understanding of what this was/is, better than I could.
REVIEW: Creepshow – Episode 2
Shudder grabbed the attention of a number of horror fans when they announced their rebooting of the beloved classic ‘Creepshow’, which is offering a brand new episode, composed of two stories, each week.
While the first episode showed promise, the second offering from Creepshow left much to be desired.
The first story ‘Bad Wolf Down’ is about a group of World War II American soldiers who are hunkered down in a prison as Nazi soldiers are closing in, forcing them into a tense, and critical decision making situation of life and death.
While in the prison, they encounter a French woman who is attempting to lock herself away and persuade them to kill her.
As one soldier in their unit betrays them, and the Nazis start to close in further, the woman passes on her curse as a werewolf to the soldiers so they can combat the Nazis and chase down the traitor for revenge.
Although it’s early in the series, this has to be the worst episode yet, as it’s hard to execute a proper werewolf tale these days without looking ridiculous. Even if it’s purposeful, it doesn’t make it any more watchable.
The second story is called ‘The Finger’, and the dark comedy tells the story of a depressed, lonely, divorcee who happens across the odd shriveled, finger of something non-human. After spilling his beer (the same one from ‘Gray Matter’) he notices the finger has strange powers.
He puts the finger in a freezer, where it shockingly grows into a demonic, alien-looking creature that he names “Bob”. Bob is intent on brutally taking his revenge, with blood, on those who have, even slightly, wronged his master in any way.
With every death Bob commits, the body part that his master cleans up, the law closes in. But, the ending has you questioning what’s real, and what’s not and caps off one of the more enjoyable entries in the series so far. While it’s not on the level of ‘Dollhouse’ it certain’y accomplishes the goal of making campy, gory, humor…work.
- Believe it Or Not: A Fan Brewed a Special Friday the 13th Beer Using Water from the Real Camp Crystal Lake
- Netflix Hypes Season 2 of ‘The End of the F***ing World’
- Takashi Shimizu’s ‘Howling Village’ Unveils Trailer
- Trailer for Horror-Comedy ‘Two Heads Creek’ Drops
- Family Falls Apart in ‘Kindred Spirits’ Trailer
- Trailer for ‘The Grudge’ Arrives
- New Trailer for ‘Antlers’ Has Dropped
- Netflix8 months ago
Netflix Original Sci-fi Series ‘Osmosis’ is Heartbreakingly Painful
- Movies1 year ago
‘Daddy’s Girl’ Is Keeping Torture In the Family
- Reviews2 years ago
- News3 months ago
REVIEW: I Am Mother
- Movies1 year ago
Killer Mermaid Lurks In ‘The Mermaid: Lake of the Dead’
- Movies1 year ago
Christine Elise Talks ‘Child’s Play’ Remake
- Reviews1 year ago
REVIEW: The Hollow Child
- Movies4 months ago
Discovery Channel Airing ‘Capsized: Blood in the Water’ to Kick Off Shark Week