‘Pyewacket’ may be the best under-the-radar movie of the year and a flick that I am willing to bet Netflix wishes it got it’s hands on.
‘Pyewacket’ is, hands down, the best horror flick I have seen so far this year.
It resonates. It perfectly weaves a tense, gripping and disturbing story into a beautifully crafted, and well paced, film.
In ‘Pyewacket’, a teenage girl who is grieving from the recent death of her father is trying to find herself, as most teens at her age are, while dealing with a myriad of personal issues.
Leah, who is played by Nicole Munoz, is a goth teen that is interested in the Occult and has a rather contentious relationship with her widowed mother, who is visibly battling depression and grief and is prone to emotionally abusive, alcohol fueled outbursts, when arguing with Leah.
Writer-director Adam MacDonald paces the first hour of the move very well, as it is steeped in plenty of story setup, but not too much so that it loses your interest.
Leah and her mother (Laurie Holden) continue to ride an emotional roller coaster relationship and, eventually, Leah’s mother abruptly announces that the two are moving out to the country for a “fresh start”.
Leah, being the angst-riddled and depressed teen she is, lashes out in anger, and opts to turn to the occult to cast a spell to kill her mother.
MacDonald does a fine job of showing the pure emotion of Leah’s actions, but, also reminds the viewer that, above all else, she is purely acting out as dramatically and irrationally as most teenagers her age may, although maybe not using a death curse as a vehicle of expression.
Leah’s actions, in their entirety, may not be palpable but provide a layer and tone that creates the tense emotion for the rest of the film.
While most films go right to the scares, almost in excess, MacDonald takes a different approach with ‘Pyewacket’, instead denying the viewer the satisfaction of the scare immediately, allowing the movie to draw out, thus demonstrating an astute understanding of pace and timing that craft the real “scare”.
Eventually, the pyewacket comes, and the build is a slow one, but, one that eventually floods out into terror and a gripping and tense sequence that feels rewarding, although brutal, for the viewer.
‘Pyewacket’ may not be everyone’s cup of tea. It demands a dedication to seeing the story through and veers off from the jump scares that films rely on these days, providing a refreshing approach to building a lasting scare.
With that being said, it will hard for movies to top ‘Pyewacket’ for me this year, as it has set the bar, for me, for how films that deal with the occult, demonic hauntings or supernatural should unfold.
Fright Nerd Score 85.5 frights Summaryit will hard for movies to top 'Pyewacket' for me this year, as it has set the bar, for me, for how films that deal with the occult, demonic hauntings or supernatural should unfold. Fright Nerd Score85.5
REVIEW: IT Chapter 2
The wait, the anticipation, it all came to a head this week when IT: Chapter 2 finally hit theaters.
Pennywise the Dancing Clown is back after 27 years, and he is more brutal than ever as he feasts on the citizens of Derry, kids and adult alike. The restart of the horrendous killing spree prompts the reunion of “The Losers” who must fight back their oppressed memories, and overpowering fear, to defeat Pennywise once and for all.
While the film is a continuation of Chapter 1 in a fluidly sewn in story, it has a much darker, more sadistic feel to it. Pennywise is far more aggressive, and the scenes in which children die, quite brutally, leave a lasting impression while reminding us just how evil the killer clown is.
If you had read Stephen King’s book, and/or watched the miniseries back in 1990, then the story that was told in IT Chapter 2 won’t come as a shock, in fact, it told more of the book than the miniseries did.
While it touched on that element of the story, it quickly veered away from it, which is unfortunate given how important it was in the overall tone of the book.
However, with a run time of 2 hours and 50 minutes, it’s easy to understand why we couldn’t fully hashout the entire book. Had this been a 3 part story, than it would have been more feasible.
The runtime itself is a marathon, but it doesn’t drag too often, keeping the audience from losing interest.
The movie takes some predictable turns and roads, but it does a good job at avoiding becoming mundane or losing volume. Grant it, it is not the same work of art that the first part was, which is disappointing, but it’s a different movie that probably wouldn’t fit that tone.
All in all, It Chapter 2 is a horror movie, much more so than Chapter 1. It brings you to a darker side of Pennywise. It makes you uncomfortable as you watch the children he preys on meet a brutal, terrifying end. It hashes out a wonderful story that makes sense, aside from the Native American tie in and the tripping, and given that this is a horror movie, it delivers in a way that exceed traditional expectations.
Any of the critics poking holes in the flow or format are likely confusing the genre.
It Chapter 2 is what you want and expect it to be. It has plenty of jump scares, it tells a solid story, it makes you cringe watching the deaths, and despite a lapse in consistent chemistry between the cast, it does a good job at rounding out, and ending, the story.
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REVIEW: Ready Or Not
‘Ready or Not’ is one such film, and it puts a gloriously gory spin on the age-old game.
Starring Samara Weaving, Adam Brody, Andie MacDowell, Mark O’Brien, and Henry Czerny, the film tells the story of: “Grace couldn’t be happier after she marries the man of her dreams at his family’s luxurious estate. There’s just one catch — she must now hide from midnight until dawn while her new in-laws hunt her down with guns, crossbows and other weapons. As Grace desperately tries to survive the night, she soon finds a way to turn the tables on her not-so-lovable relatives.”
Sprinkle in a little cult worship, a sacrifice ritual, and some satanic worship and this film’s meat is bloodier than most.
Grace is thrust into an awful family ritual that, thanks to the bad draw of a horrible card during a game, and now has to survive once she realizes the innocent game she has known as a child is something far more sinister, and deadly.
While it seems ridiculous and campy at first glance, Ready or Not has a general understanding of how to properly flow, adding in touches of comedy, suspense, and some gory kills that keep the film moving along and void of any boring lapses.
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REVIEW: Scary Stories to Tell in the Dark
This past weekend, and with much anticipation, Andre Ovredal’s ‘Scary Stories to Tell in the Dark’ hit theaters.
According to the synopsis: “The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It’s in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah’s spooky home.”
Despite the promising premise, I couldn’t find anything to differentiate this film from the run-of-the-mill Goosebumps installment, which left it lacking in many areas, and buried it so deep in stupidity that not even their strong displays of special effects made this a worthwhile time investment.
I couldn’t find a reason to care about any of the main characters such as Stella (Zoe Margaret Colleti) or Ramon (Michael Garza) because this film simply failed to hold my attention.
Rooted in compelling horror stories that may have done well if done completely different, this fill clunked and bored it’s way from start to finish.
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