It may have been released back in 2014, but we just got around to reviewing ‘Dig Two Graves’ which tells the story of 13-year-old Jacqueline “Jake” Mather (Samantha Isler), who loses her brother in a mysterious drowning accident and is looking to get him back.
The plot intertwines the dark history of her grandfather,Sheriff Waterhouse, and his ties to the family of the 3 moonshiners, who have dark intentions with Jake.
Plot hole after plot hole, stop any momentum that this film builds in the opening 20 minutes.
One example is during Jake’s first encounter with the 3 moonshiners, who promise the return of her brother if she kills a student at her school that they have carefully selected.
During the scene, Jake first tells the strangers that “she’s not allowed to talk to strangers, but then proceeds to follow them back to their shady shack and partake in some promise ritual that involves a snake, drinking snake’s blood and painting a face with said blood.
Jake then faces the decision of whether to kill her classmate in an effort to bring her brother back, or not, and she struggles with this throughout the conclusion of the film.
All in all, the movie just has too many layers that haven’t properly been developed and/or aren’t consistently followed through with, to make things even a bit intriguing.
David Yarovesky’s ‘Brightburn’ is an intriguing thriller that puts a unique spin on the classic story of Superman, with the results turning much more sinister.
Dropping on May 24th, the film stars Elizabeth Banks, Jackson A. Dunn, David Denman, Matt L. Jones, and Jennifer Holland.
According to the synopsis:
“What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.”
The chemistry among the characters is immediately evident, as the dialogue flows in a natural manner, helping the film move fluidly along as the story unfolds.
The origins of the Breyer’s son, Brandon, is kept a mystery throughout the film, as is the origin and purpose of the voice(s) he continues to hear as he unravels into an evil entity, which makes the film that much more intriguing and interesting.
Brightburn keeps itself footed in the horror genre with some gory kills and tense moments, such as Brandon stalking a classmate, that really stand out in a movie that seems to perfectly and consistently balance the varying tones of the film.
From start to finish the film delivers and packs plenty to like in it’s 90 minute runtime making Brightburn a must see as we head towards Memorial Day Weekend.
REVIEW: Extremely Wicked, Shockingly Evil and Vile
Last week, Netflix’s long-awaited film that centered on infamous serial killer Ted Bundy, from the perspective of his long-time girlfriend Elizabeth Kloepfer, premiered and it was met with mixed reviews.
According to the synopsis: “A courtroom frenzy ensues and sweeps 1970s America when a young single mother reluctantly tips the attention of a widespread manhunt toward her longtime boyfriend, Ted Bundy.”
Zac Efron dazzles in his role of Bundy, creating a magnetic like-ability that made the real-life Bundy so appealing in the media. Efron, from angles, even looked eerily similar to Bundy, making his performance that much more powerful.
However, despite the performances of Efron, and Lily Collins (Kloepfer) this film seems “off”, muddying itself into a controversial arena that almost invokes sympathy for Bundy, one of the most evil and brutal killers in America history.
While it’s fair to argue that portraying Bundy this way accurately tells the story, as that is what made him so fascinating and captivating, the film spends too much time on certain events while brushing past others, creating a very odd and confused dynamic..
Directory Joe Berlinger seems to want to do so much in so little time, and although this was told from a certain perspective, it still deviates from that perspective to tell other details and stories, losing grip and direction of the film’s intent in the process.
While it falls flat in certain areas, and it certainly does, it is still a solid movie. But, I cannot help but feel as though Efron, Collins, and performances from Jim Parsons and John Malkovich were cheated out of something that could have been so much bigger, and so much better.
REVIEW: ‘I Trapped The Devil’
Josh Lobo’s indie thriller ‘I Trapped the Devil‘ officially hit limited theaters and VOD platforms this weekend and his debut film focuses on a man’s psychological unraveling as he comes to terms with whatever is locked in his basement.
Scott Pothress, Susan Burke, and A.J. Bowen star in the film set in the Christmas season, but centers on what appears to be a demon trapped behind a door in a man’s basement.
The movie is painfully slow to get rolling and takes a rather challenging road of trying to convey terror and suspense without relying on visual scares, jump scares or any real terrifying moments.
For the most part, this terror is implied, and forces the viewer to decide for themselves if this is simply one man’s mental breakdown into insanity, or something paranormal.
However, the film lacks any “meat” beyond the bones of it’s premise, and when it’s coupled with a slow-developing plot, a tactical slow delivery of dialogue, and is void of any true scares, it stumbles to establish itself as anything significant.
Lobo’s job behind the camera is solid, despite the underwhelming delivery of the story. Solid acting keeps things afloat, but the film simply has an uninteresting script and the story fractures into confusing, and overly boring, scenarios that seem intended to speed up a film to a panicked, frightful conclusion.
Unfortunately, the film didn’t challenge my thinking, but challenged my attention span and an underwhelming impact of an ending was further softened by the weak substance the film consisted of.
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