To say this movie was plain terrible wouldn’t do any justice to this review, because the plot is actually really interesting.
The movie bumbles it’s way down a peculiar rabbit hole, struggling to stay on track, and even more so, seemingly confusing itself in the process.
The acting of Alex Lawther is tremendous, but it’s wasted on a a director who frustratingly spun this movie into the trash fast.
Martin Freeman does a solid job too, but at that point in the movie you’ve likely already started mentally checking out of this terrible flick.
The scares are few, so much so that I even debate whether this deserves to be filed anywhere near a horror classification.
The movie tells the story of Arch skeptic Professor Phillip Goodman, who embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’.
The first story, Tony Matthews, is so slow and plodding that it threatens to put you to sleep before the “big scare” finally arrives, and sets a poor tone for the movie that simply gets worse as time passes.
the movie is confusing, unorganized, lacks suspense and drives away interest. It’s just a terrible job done by director Jeremy Dyson, who seems to be lost with what to do with this film throughout the movie.
David Yarovesky’s ‘Brightburn’ is an intriguing thriller that puts a unique spin on the classic story of Superman, with the results turning much more sinister.
Dropping on May 24th, the film stars Elizabeth Banks, Jackson A. Dunn, David Denman, Matt L. Jones, and Jennifer Holland.
According to the synopsis:
“What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.”
The chemistry among the characters is immediately evident, as the dialogue flows in a natural manner, helping the film move fluidly along as the story unfolds.
The origins of the Breyer’s son, Brandon, is kept a mystery throughout the film, as is the origin and purpose of the voice(s) he continues to hear as he unravels into an evil entity, which makes the film that much more intriguing and interesting.
Brightburn keeps itself footed in the horror genre with some gory kills and tense moments, such as Brandon stalking a classmate, that really stand out in a movie that seems to perfectly and consistently balance the varying tones of the film.
From start to finish the film delivers and packs plenty to like in it’s 90 minute runtime making Brightburn a must see as we head towards Memorial Day Weekend.
REVIEW: Extremely Wicked, Shockingly Evil and Vile
Last week, Netflix’s long-awaited film that centered on infamous serial killer Ted Bundy, from the perspective of his long-time girlfriend Elizabeth Kloepfer, premiered and it was met with mixed reviews.
According to the synopsis: “A courtroom frenzy ensues and sweeps 1970s America when a young single mother reluctantly tips the attention of a widespread manhunt toward her longtime boyfriend, Ted Bundy.”
Zac Efron dazzles in his role of Bundy, creating a magnetic like-ability that made the real-life Bundy so appealing in the media. Efron, from angles, even looked eerily similar to Bundy, making his performance that much more powerful.
However, despite the performances of Efron, and Lily Collins (Kloepfer) this film seems “off”, muddying itself into a controversial arena that almost invokes sympathy for Bundy, one of the most evil and brutal killers in America history.
While it’s fair to argue that portraying Bundy this way accurately tells the story, as that is what made him so fascinating and captivating, the film spends too much time on certain events while brushing past others, creating a very odd and confused dynamic..
Directory Joe Berlinger seems to want to do so much in so little time, and although this was told from a certain perspective, it still deviates from that perspective to tell other details and stories, losing grip and direction of the film’s intent in the process.
While it falls flat in certain areas, and it certainly does, it is still a solid movie. But, I cannot help but feel as though Efron, Collins, and performances from Jim Parsons and John Malkovich were cheated out of something that could have been so much bigger, and so much better.
REVIEW: ‘I Trapped The Devil’
Josh Lobo’s indie thriller ‘I Trapped the Devil‘ officially hit limited theaters and VOD platforms this weekend and his debut film focuses on a man’s psychological unraveling as he comes to terms with whatever is locked in his basement.
Scott Pothress, Susan Burke, and A.J. Bowen star in the film set in the Christmas season, but centers on what appears to be a demon trapped behind a door in a man’s basement.
The movie is painfully slow to get rolling and takes a rather challenging road of trying to convey terror and suspense without relying on visual scares, jump scares or any real terrifying moments.
For the most part, this terror is implied, and forces the viewer to decide for themselves if this is simply one man’s mental breakdown into insanity, or something paranormal.
However, the film lacks any “meat” beyond the bones of it’s premise, and when it’s coupled with a slow-developing plot, a tactical slow delivery of dialogue, and is void of any true scares, it stumbles to establish itself as anything significant.
Lobo’s job behind the camera is solid, despite the underwhelming delivery of the story. Solid acting keeps things afloat, but the film simply has an uninteresting script and the story fractures into confusing, and overly boring, scenarios that seem intended to speed up a film to a panicked, frightful conclusion.
Unfortunately, the film didn’t challenge my thinking, but challenged my attention span and an underwhelming impact of an ending was further softened by the weak substance the film consisted of.
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