The Meg touted itself as being the blockbuster of the summer, and an epic counter to the classic Jaws movie from the 70s, but despite the special effects, the hype, and the outlandish aspirations, the film is an epic failure from start to finish.
“A deep-sea submersible–part of an international undersea observation program–has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific… with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Jason Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew–and the ocean itself–from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below.”
The highlight of the film was Jack Morris (Rainn Wilson), and not because of any stellar character development, but because it gave me a slight reminder of one of my favorite characters in the history of television, Dwight Schrute from the Office.
The movie is a cluster of nonsense, and Jason Statham delivers another mundane, monotone performance not much different from what you’re used to.
The Megalodon is not frightening, menacing, nor does it strike the fear that Jaws did, at any point. It couldn’t even come close to the ridiculousness that was Deep Blue Sea, which proved to be the far superior film, in the end.
The Meg may be the perfect film to watch as you get ready for bed at night, because nothing in this film is interesting, or exciting enough to keep you from falling asleep.
Syfy’s “Deadly Class” Teaser Is Out
A new teaser for SyFy’s “Deadly Class” has arrived and it features some very familiar music.
For those diehard horror fans, you’ll recognize Dramarama’s “Anything, Anything”, which was a staple in A Nightmare on Elm Street: The Dream Master. Seeing as the show is set in the 1920s, when A Nightmare On Elm Street was at it’s height of popularity, it seems fitting to make the reference.
“Set in a dark, comic book world against the backdrop of late 80s counter culture, DEADLY CLASS follows a homeless teen recruited into a storied elite private school where the world’s top crime families send their next generations. Maintaining his moral code while surviving a ruthless curriculum, vicious social cliques and his own adolescent uncertainties soon proves to be vital. Based on the best-selling 2014 Image Comics graphic novel, DEADLY CLASS is a coming of age journey full of ancient mystery and teen angst.”
New Clip from ‘The Quake’ Shows Carnage in Action
John Andreas Andersen’s ‘The Quake’ is set to arrive in limited theaters, On Demand, iTunes and Amazon Prime Video December 14, 2018, but a new clip has surfaced to give you a glimpse into what’s in store when the movie finally drops.
According to the synopsis:
“In 1904 an earthquake with a 5.4 magnitude on the Richter scale shook Oslo. Its epicenter was in the Oslo Rift which runs directly through the Norwegian capital. There are recorded quakes from the rift on a daily basis and geologists cannot be sure, but arguments indicate that we can expect major future earthquakes in this area. When – nobody can say for certain – but we know that the density of people and infrastructure in Oslo is significantly more vulnerable today than in 1904.”
You can see the clip below:
‘The Harrowing’ Tells the Story of the Wrongly Accused
Nothing rings in the Christmas holiday quite like a good murder mystery flick, right?
Clay Epstein’s Film Mode Entertainment has announced a Christmas Day VOD launch of ‘The Harrowing’ which tells the tale of a man wrongly accused of being responsible for the brutal, ritualistic killing of his best friend, and his dangerous journey to uncovering the truth.
According to the synopsis:
“The horror/thriller follows a Vice Detective (Matthew Tompkins), who is wrongly accused of the ritualistic murder of his best friend. Bent on finding the truth, he is plunged into Hell when he goes undercover and discovers the truth behind a demonic myth.”
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- New Clip from ‘The Quake’ Shows Carnage in Action
- ‘The Harrowing’ Tells the Story of the Wrongly Accused
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