ARROW Video has dropped their entire lineup for the month of January which is available to subscribers in the United States, Canada, the United Kingdom and Ireland.
Check out the full lineup, and details, courtesy of their official press release:
January 7 sees the arrival of Deadly Games (UK/US/CA/IRE) a tale of madness, murder and adultery from writer/director Scott Mansfield. A masked maniac with a penchant for a horror-themed board game is playing his own twisted game with the women of a small American town. Each time the dice is rolled, another victim meets a grisly end.
January 10 hosts the launch of a pair of deadly delights from Spanish director Álex de la Iglesia. Perdita Durango (UK/US/CA/IRE), starring Oscar nominee Rosie Perez and Academy Award winner Javier Bardem. The Day of the Beast (UK/US/CA/IRE) follows a rogue priest discovers the exact date The Antichrist will be born and enlist a Death Metal record store clerk and a cheesy TV psychic to prevent the Apocalypse by summoning Satan himself.
January 13 debuts documentary retrospective Still Tickin’: The Return of A Clockwork Orange (UK/US/CA/IRE) to mark the 50th Anniversary of Kubrick’s classic.
January 14 bows Red Angel (UK/US/CA/IRE), Yasuzo Masumura’s unflinching look at the horror and futility of war through the eyes of a dedicated and selfless young military nurse. Bloodbath at the House of Death (UK/US/CA/IRE) follows a group of scientists investigate a mysterious massacre and Cradle of Fear (UK/US/CA/IRE) amps up the tension when a respectable lawyer and his partner discover they are not alone.
January 17 caps off the month with a trio of stunning examples of Asian Cinema. Casting Blossoms to the Sky (UK/US/CA/IRE): Endo Reiko visits the city of Nagaoka and listens to a motley cast’s stories. She learns about the fireworks in the city and its history, how war ravaged and changed the city and the narrator’s lives.
Seven Weeks (UK/US/CA/IRE): A former hospital director runs an antiques shop in Ashibetsu with her family.
Hanagtami (UK/US/CA/IRE): Fulfilling his filmmaking dream of 40 years, Nobuhiko Obayashi’s luminous new feature delivers a timeless story of the pureness of youth beset by the chaos of war.
